Collection Facts & Figures

A fundamental purpose of the Gallup New Deal Art virtual museum is to unify a disparate and fragmented collection, which includes everything from paintings to benches to buildings, assembled over time in a piecemeal fashion and currently split among locations.

Easel Paintings
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Prints
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Drawings
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Sculpture
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Light Fixtures
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Pieces of Furniture
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Murals
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Wall Paintings
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Buildings
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Artwork Locations

Artwork Locations

Gallup’s New Deal art collection is housed in six separate locations throughout Gallup and is under the purview of three separate entities: McKinley County, the City of Gallup, and Gallup McKinley County Schools.

Note: Management of Gallup’s New Deal art collection is evolving, and the information on this page will be updated as needed. Please check back to stay up-to-date with developments.

A photograph of the exterior of the Rex Museum, the sign for which projects off the wall to the left of the main entrance. It is done in a vintage neon design. The two-story building is built from rough sandstone blocks and is oriented so the doorway is angled to the street corner. The door is blue with an oval window and is lined by paned glass. There is a large street-level window to the right of the door and small rectangular windows line the second level.

Gallup Museum Collections Storage

Sixteen prints from the Navajo Blanket Portfolio are in collections storage, but will be on view at the Gallup Museum from spring 2025 to fall 2025 as part of a special exhibition on commercial silkscreen printing as a New Deal endeavor.

A photograph of a large beige building with a three-story center portion flanked on either side by one- and two-story rooms. An American flag flies atop the building, which is pictured under a blue sky streaked with white clouds. This is the north facade of the historic McKinley County Courthouse. Its important architectural features include a columned portico framing the main entrance, a row of tall second story windows, and a top row of smaller, square third-story windows covered in bars. Two cage-like structures are placed on either end of the row of third-story windows and a row of six brown wooden vigas lines the top of the windows. The building is capped by a trapezoid-shaped bell tower also accented with rounded vigas. A set of three wide steps leads to a large landing in front of the main entrance. On either side of the portico are large columns carved with Art Deco-style motifs.

Historic McKinley County Courthouse

The historic McKinley County Courthouse was built through the Public Works Administration in 1938. The first floor (currently utilized as the District Attorney’s office and only publicly accessible by request) has been largely preserved in its original form, with tinwork light fixtures, tilework, and wall paintings. The second floor houses the Eleventh Judicial District Court. Nineteen paintings are displayed in the courtroom lobby (which is relatively publicly accessible), and the courtroom itself (only publicly accessible by request) features a 2,000-square foot mural by New Deal artist Lloyd Moylan. Additionally, McKinley County has eighteen pieces of furniture (six benches, eight chairs, two end tables, one trastero or cabinet, and one desk) in storage (not on public view). 

A photograph of a modern school building a mixed media facade in sandy pink stucco and brownish-red bricks. The entrance features a semicircular portico which opens to a curved driveway lined with red striping and black bollards. The building is landscaped with lawns of grass and young trees.

Gallup McKinley County Schools

A series of seven large-scale paintings by J. R. Willis hangs in the library of Gallup High School (only publicly accessible by request). Gallup McKinley County Schools also stewards three paintings by Edgar Alwin Payne (not currently on public view).  

A vintage black-and-white photo shows a large building with two trucks labeled Navajo Freight Lines parked in front. Numerous people and cars are gathered around the building, with a hilly landscape in the background.

Historic Armory

Gallup’s  historic National Guard Armory (pictured here in the early 1940s) was built in 1941 through the New Deal Armory Program, a joint effort of the Public Works Administration and Works Progress Administration between 1933 and 1942.

A black-and-white photograph of a single-story brick building with a pitched tiled roof and small widow's peak. It features a columned portico and a wide set of entryway steps with a latticework-patterned railing. On either side of the portico are two tall rectangular windows with wrought iron balconies. Above each window, extending slightly above the roofline, are stone-carved crest-type decorations. The building is situated on a street corner on a grass or dirt lot bordered by a wide sidewalk lined with street lamp. A car is parked across the street and rows of houses are visible in the background.

Historic United States Post Office

Gallup’s historic post office (pictured here in the early 1930s) was not technically constructed through a New Deal program; it was built by the Treasury Department in 1933. Through the Civil Works Administration, artist Warren Rollins was commissioned to create three paintings for the building’s interior. Those paintings are now located in the Santiago E. Campos United States District Court in Santa Fe, NM. 

Provenance​

Provenance

Very few records from New Mexico’s and Gallup’s New Deal art programs still exist. At the onset of World War II, state and local programs were ordered to destroy their records because the wartime federal government lacked the capacity to ship the materials to Washington, DC, to be archived. There are only two dozen objects for which researchers have been able to conclusively determine (on the basis of preserved New Deal program artwork labels, New Deal program administrator correspondence, and/or newspaper reports) how they entered the collection. That information is included in applicable artwork labels throughout the Virtual Museum.

A laminated typewritten label from the Federal Art Project listing information about an artwork and a disclaimer that "the work is the property of the United States Government and is loaned subject to regulations of loan and is not to be removed." It includes spaces for the artist's name (filled in with Brooks Willis), the state (New Mexico), the medium (oil), the title of work (Desert), and a loan note to "McKinley Co. Courthouse." The label also includes the dimensions (24 x 30) a date of 8-1-38.

A Federal Art Project label for Desert by Brooks Willis, an artist employed to create artworks through the program. Artworks loaned or allocated to public institutions and entities were identified by paper labels adhered to their backsides.

Employment

Most artworks in the collection are by artists who were on the payrolls of New Deal art programs. Essentially, the New Deal hired and paid artists to fulfill set quotas of artworks (see “Artist as Workers” for more information). The available documentation suggests that the majority of Gallup’s New Deal artworks were created by artists employed through New Mexico’s Federal Art Project and then allocated to or purchased for public buildings, as is the case with Desert by Brooks Willis.

A photograph of the interior of an empty courtroom with benches and wood paneled wainscoting and a mural featuring human and animal figures in earthy green, blue and reddish brown tones filling the upper portion of the wall. The mural pictured covers all four walls of the courtroom. This photograph focuses on the east wall. As a whole the mural depicts southwest history from prehuman times through the turn of the 20th century. The east wall is dedicated to the development of ancestral cultures and the first peoples of the southwest. On the left side of the wall, we see a man posing with a spear-like tree branch and holding a hunted turkey by its feet. He faces a scene of a woman breastfeeding a baby with another child seated next to her. Moving to the right, we see an image of men in loincloths gathered around a fire above a picture of a line of people who appear to be in a cave and who all carry something in their hands and bend forward as if making a gesture of offering. In the middle of the wall is a busy scene of nine men and women building an adobe structure. The men wear cloth skirts and the women one-shouldered dresses. The men make and place mud bricks while the women coat the walls in plaster. The last scene depicts an intertribal raid, promoting a stereotype of Native Americans as warlike. One large group of men crouches above the adobe wall being constructed in the previous scene, seeming to peer over it while pointing daggers and spears towards those building it. Below this group we see a man in a loincloth stepping over the dead body of another man to hoist a woman with long braids into the air. She reaches towards a naked child as a third man bends to pick up a basket of food.

View of the west wall of Lloyd Moylan’s 1940 McKinley County Courthouse courtroom mural, likely commissioned through the New Mexico Federal Art Project.

Commission

Several artworks are known to have been commissioned and paid for directly by specific New Deal art programs, either for a particular purpose or a particular location/public institution(s). Examples include: 

A photograph of a mailing label with "To" and "From" sections and handwritten text in brown ink. The sender's address: Albert L. Groll, 222 W. 59th St, New York City. The recipients address: Mrs. Martha Kennedy, Gallup Art Center, Gallup, New Mexico. The label has a blue border.

A handwritten mailing label for Enchanted Mesa by Albert Lorey Groll, an artwork donated by the NYC-based artist to the Gallup Art Center in 1941.

Donation

A few artworks in the collection, like Albert Lorey Groll’s Enchanted Mesa, are known or presumed to have been donated by their creators to the Gallup Art Center. These artistdonors were East Coastbased, established artists with no record of employment with New Deal art programs.  

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Art Collection

Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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Image Use Notice: Images of Gallup’s New Deal artworks are available to be used for educational purposes only. Non-collection images are subject to specific restrictions and identified by a © icon. Hover over the icon for copyright info. Read more