A close-cropped circular photographic headshot of a person with long, wavy hair and glasses wearing a beige shirt. They are looking directly at the camera and standing against a light background.
Artwork Pairing

dahiistlł'ó [loom] By Artist Eric-Paul Riege

Artist Statement

Harrison Begay’s Untitled (Taking Down a Finished Rug) is a painting of a Diné woman removing a completed weaving from a loom. Acting as a release or exhale, this moment is ephemeral. A weaving taken down causes a weaving to begin. A weaver will activate the loom to continue the lifelong relationship between the loom and the body. 

dahiistlł’ó [loom] is a work about the beliefs and rituals I have with the loom. Looms cradle histories. . . process. . . meditation. . . survival. . . creation. To be  mentally and physically present at a loom is to exist within beauty. The loom itself acts as a border between the physical and spiritual realms. The weaver creates a dance between warp and weft, mind and movement. This is a sacred place for the weaving to exist. A relationship with the loom is one of mutual respect. The performance of weaving is a dance: the comb is the drum beat, the rhythm; the batten keeps the movement; the shed are footsteps; the weft is the past.

By setting up the loom in dahiistlł’ó [loom] there is now a space for stories to be told. The warp invites anyone to visualize their own story and history to exist before them. For each viewer, this is now a space for only them. Like a harp waiting to be played, the strings say, “Come over, feel me, play me, share with me your love and your beauty and your pain, and let me cradle your story.”

Eric-Paul Riege (b. 1994, Na’nízhoozhí/Gallup, New Mexico) is a weaver and fiber artist finding presence in his mind, body, and beliefs through collage, durational performance, installation, woven sculpture, and wearable art. For Riege, his weavings pay homage and link him to generations of weavers in his family and exist as living things that aid him in generating sanctuary spaces of welcome. His work is a celebration and study and being of Hózhó–Diné philosophy that encompasses beauty, balance, goodness, and harmony in all things physical, mental, and spiritual, and their bearing on everyday experience.

Harrison Begay
Untitled (Taking Down a Finished Rug)
About mid-1930s
Casein/tempera on paper
8” W x 9” H

Copyright Eric-Paul Riege. All rights reserved.

Eric-Paul Riege
dahiistlł’ó [loom]
2017
Digital media

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Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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