A painting of a covered wagon train traveling through the high desert landscape of the Gallup area, with a red rock formation known locally as "Pyramid Rock" for its shape and a beige sandstone rock formation called "Church Rock" because it looks like a cathedral spire visible in the far distance. Three covered wagons follow a well-worn path of wheel ruts, led by a man riding on horseback, carrying a rifle and wearing a fringed buckskin jacket and cowboy hat decorated with a feather. Next to him walks a cowboy carrying a rifle over his shoulder. Behind them, two oxen pull a wagon in which a woman and child are seated. A cowboy cracks his whip at the oxen. The group includes more cowboys on foot and horseback as well as three small dogs who run alongside, with one stopping to smell a cow skull.

Joseph Roy (J. R.) Willis

Untitled (The Coming of the Americans)

1935–1936

Oil on panel

72” W x 36” H

About this artwork

This is the sixth in a seven-part series of Southwestern history murals that the Gallup public schools commissioned J. R. Willis to paint through the Public Works of Art Project between 1935 and 1936—and that still hang in the Gallup High School library.

Willis dedicated the first five murals in his series to roughly 100 years of Spanish colonization of the Southwest in the 16th century. With this mural, he fast-forwards about 250 years to the mid-1800s and the end of the Mexican-American War (skipping over 200 years of Spanish colonial administration, the Pueblo Revolt, and Mexican Independence in the process).

This mural draws on stereotyped narratives of western expansion and American progress. A crew of “pioneers” strides directly toward the viewer, heralding a new world order. Willis seems well aware of his intended audience, encouraging local student-viewers to identify with the image by setting the scene in Gallup—the iconic landmarks of Pyramid Rock and Church Rock are clearly visible in the background.

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