A “rooster pull” is an exhibition of horsemanship with roots in Spain that has been practiced in the southwest United States for centuries.1 Today the sport is performed as an old-school rodeo event with inanimate objects, but at the time Lloyd Moylan made this painting the event likely involved a live chicken, making it highly controversial by current standards. While in specific contexts the tradition may have carried spiritual significance, its primary purpose has historically been to show off equestrian athleticism and skill as riders are required to bend to reach the ground from their saddles while riding close to each other at fast speeds. Moylan uses dynamic diagonals to emphasize the acrobatics of the frenetic, intense, and dangerous pursuit. Through his limited color palette, fine lines, and clean background, the three competitors become graceful dancers.
