Edgar Alwin Payne’s paintings are often designed not just to show the viewer the landscape, but to help them imagine themselves within it. In Untitled (Grand Canyon), Payne positions the viewer a short distance down a canyon wall trail. This perspective is more intimate than an aerial view or the panorama visible from the canyon’s rim. Immersed within the canyon, the viewer is dwarfed by its hugeness but can also appreciate the architectural features of the canyon walls.
