A painting of a battle scene featuring mounted soldiers charging a fortified adobe building complex. One soldier wearing golden armor and riding a white horse is prominently leaping forward with a raised sword, leaving a a cloud of white dust in his wake. Many more soldiers on horseback attack alongside him with raised spears. Several foot soldiers are positioned in front of him, near the complex's tall wall, carrying rifles. Defenders on the walls and rooftops--dozens of loin cloth-clad men who are depicted on a very small scale with hardly any detail--are hurling rocks at the attackers. Two of the foot soldiers try to duck flying rocks. Another soldier is in the foreground taking aim with a crossbow from behind a rocky outcropping.

Joseph Roy (J. R.) Willis

Untitled (Francisco Vasquez de Coronado at Hawiku)

1935–1936

Oil on panel

96” W x 36” H

About this artwork

This is the fourth in a seven-part series of Southwestern history murals that the Gallup public schools commissioned J. R. Willis to paint through the Public Works of Art Project between 1935 and 1936—and that still hang in the Gallup High School library.

Willis’s background as a Hollywood set painter is on full view in this highly theatrical rendition of Francisco Vásquez de Coronado’s assault on the ancestral A:Shiwi (Zuni) village of Hawiku (Coronado’s 1540 expedition was the second attempt by Spaniards to locate the so-called Seven Golden Cities of Cibola). In Willis’s conception, the Spanish conquistador rides valiantly into battle encased in golden armor and astride a white horse. This heroic treatment only accounts for the victor’s perspective.

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Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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