A photograph of a bronze sculpture of a donkey standing on an oval base, facing left. The sculpture shows detailed musculature and texture, capturing a lifelike stance and expression. In this photograph, the sculpture is pictured straight on. The donkey appears to walk forward, turning to face the viewer, its ears angled backwards, its mouth open, and its nostrils flared, as if letting out a warning bray. The sculpture is placed on a pedestal draped in black cloth and is pictured against a plain white background.

Anna Vaughn Hyatt Huntington

Untitled (Donkey Braying)

About 1902–1941

Cast bronze

14” L x 8” H x 3¾” W

About this artwork

Though Anna Vaughn Hyatt Huntington is best known for creating several of New York City’s major equestrian monuments, small animal sculptures like Untitled (Donkey Braying) were the “bread and butter” of her artistic career and are just as formidable and persuasive as their large-scale counterparts. Details such as the flick of the tail, the flare of the nostrils, the flex of the ears, and the curvature of the neck communicate this donkey’s bellicose attitude.

This piece probably made its way to the Gallup Art Center as a donation by the artist toward a potential future permanent art museum, likely at the urging of fellow NYC-based artist Albert Lorey Groll, who himself donated five artworks to Gallup.

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Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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