A painting of a dancer in motion, taking a big step forward, standing on the tippy-toes of his left foot, his right knee raised high. The dancer wears a yellow skirt, black mask, and tall but delicate, rectangular-shaped headdress. Two pink ribbons dotted with white feathers ripple out behind him. His bare chest and arms are painted white with black geometric designs and he holds two black swords, pointing them downwards. A downward-facing orange crescent shape floats above the figure, in close proximity to his left shoulder.

Allan Houser

Untitled (Apache Crown Dancer)

1942

Casein/tempera on paper

15” W x 20¾” H

About this artwork

Trained in the Studio Style by Dorothy Dunn at the Santa Fe Indian School between 1936 and 1937, Allan Houser (Chiricahua Apache) worked in this “flat” style during the New Deal and at the start of his career, on his way to becoming a trailblazing 20th-century artist. Even in this early work, one can see Houser pushing the boundaries of the conventions of the era, painting the dancer’s movements with palpable energy and power.

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Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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