A photograph of a wall painting done in the style and using the visual language of Navajo sandpainting, positioned on a white wall to the left of an arched doorway and above decorative tile wainscoting. The wall painting design is highly symbolic and consists of a central light blue circle. Inside the circle is a stylized yellow figure with a rectangular head and small black rectangles for the eyes and mouth. Straight up from the circle extend twelve neatly spaced thin light red or pink vertical stripes, which are nearly as tall as the circle. Straight down extend twelve thin light orange stripes, and straight out to the left, twelve thin black stripes. At the end of each set of stripes are two bands of color, one light blue and one orange, which are wider than the sets of stripes. We can presume that another set of twelve stripes extended to the right of the circle where the arched doorway is now.

Uncredited Navajo Artist

Sandpainting-style Wall Painting (Sun)

1939

Wall paint

44” W x 44” H (partially removed)

About this artwork

This Diné (Navajo) sandpainting-style wall painting is the counterpart to one painted on the wall opposite in the rear lobby of the first floor the New Deal McKinley County Courthouse in 1939, reportedly by “a young Navajo painter.”1 (These sandpainting-style wall paintings are two of sixteen total such decorations.) This design is perhaps an iteration of the customary Diné sandpainting symbol representing the sun, while its companion painting likely represents the moon. Unlike its companion, however, it was partially removed when an elevator was installed in the building and an arched doorway created to provide access, and is now missing its left portion.

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Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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