A painting depicting a woman in a brown skirt and yellow long-sleeved shirt holding a reddish-purplish shawl to partially cover her face, which has no features. She stands beneath a wooden arch-type structure which appears to be draped with fabric. In the background, a man on horseback with a large hat and neck bandana is visible against a bright sky. A horse saddle sits on the ground in the front right corner of the image.

Lloyd Moylan

Navajo Mother-in-Law

About late 1930s/early 1940s

Watercolor on paper

22” W x 28” H

About this artwork

One way to view Navajo Mother-in-Law is as a two-dimensional anthropological diorama. It is Lloyd Moylan’s attempt to depict an archaic Diné (Navajo) custom of mothers-in-law avoiding contact with their sons-in-law. With this painting, Moylan puts culture on display in an exoticizing fashion, as is the case with so many early 20th-century Western American artworks. Here, the subject is quite literally “staged” by means of its theatrically framed composition.

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Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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