One way to view Navajo Mother-in-Law is as a two-dimensional anthropological diorama. It is Lloyd Moylan’s attempt to depict an archaic Diné (Navajo) custom of mothers-in-law avoiding contact with their sons-in-law. With this painting, Moylan puts culture on display in an exoticizing fashion, as is the case with so many early 20th-century Western American artworks. Here, the subject is quite literally “staged” by means of its theatrically framed composition.
