A minutely detailed black and white etching depicting towering sandstone cliffs surrounded by sparse shrubbery and open sky. The background is essentially blank, with just a few squiggly lines forming a slight arch at the top edge of the painting. The bottom edge mirrors the top edge, with a thin band of squiggly lines running along it. This framing draws the subject, the cliffs, into greater focus, and, indeed, the artist appears to have accounted for each crevice and crack, highlight and shadow of the rock formation.

Albert Lorey Groll

Inscription Rock—N. Mexico

About 1904–1941

Etching on paper

13” W x 10⅛” H

About this artwork

In the early 1900s and for the next four decades, New York–based artist Albert Lorey Groll made numerous trips to the Southwest and produced paintings, etchings, and works on paper that introduced East Coast audiences to novel (for them) landscapes. Some of the places he pictured, though famous now, were only just gaining national recognition at the time of his travels. For example, the Grand Canyon, which Groll repeatedly visited and sketched, was made a National Park in 1919. Likewise, El Morro National Monument, the subject of Inscription Rock—N. Mexico, was designated in 1909.

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