A photograph of a semicircular wall mural done in the style and using the visual language of Navajo sandpainting. The mural is positioned on a plain white wall at an angle, its bottom edge aligning with the top edge of the wall's tile wainscoting, which itself is angled to rise with the 8-step staircase in the foreground. The background of the mural is tan and it features a symmetrical design of geometric shapes. On the right half of the mural, a large light yellow rectangle is oriented 45 degrees to the left. The rectangle is decorated with two identical sets of shapes: a light blue triangle, point down, on top of a light blue rectangle. Above and below the rectangle are two yellow circular faces, with small black triangles for eyes and small black rectangles for mouths. On either side of the upper face are two stacks of narrow, downward-pointing triangles with stylized songbirds perched on top. And on either side of the triangle stacks are stylized ears of yellow corn. Mirroring this arrangement of shapes on the right side of the semicircle is the same pattern, angled 45-degrees in the opposite direction and done in black and white instead of blue and yellow. Stylized sets of three or five straight, angular feathers in yellow, white and orange are interspersed between these primary patterns.

Uncredited Navajo Artist

Sandpainting-style Wall Painting (Half Circle)

1939

Wall paint

9½’ W x 4¾’ H (at tallest point)

About this artwork

This wall painting is one of sixteen Diné (Navajo) sandpainting-style murals decorating the first-floor lobby of the historic McKinley County Courthouse. It was reportedly painted by “a young Navajo painter”1in 1939, the year the New Deal building opened. It is the companion piece to a semicircular mural painted on the wall opposite it (the murals are painted on either side of the building’s entryway staircase). Together, the two murals form a circular composition that references the four cardinal directions, represented by the circles and rectangles colored white and yellow (seen here) and blue and black (seen in the companion piece). The four directions are sacred to the Diné (Navajo) people because the Diné homeland is delineated by northern, southern, eastern, and western mountains (as seen in the Navajo Nation flag).

It is not only this mural and its counterpart that are painted in pairs. Throughout the entire first floor of the courthouse, sandpainting-style wall paintings are composed in sets. Moreover, the artist intentionally placed sandpainting designs and figures so that they flank entrances, lobbies, and passageways, with most symbolically communicating messages of guardianship and blessing. Here, the semicircular mural includes four songbirds, perhaps bluebirds and orioles, which traditionally symbolize good fortune (generally speaking). In this manner, the artist wrapped the entire space in a protective embrace.

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Gallup’s New Deal art collection consists of over 120 objects created, purchased, or donated from 1933 to 1942 through New Deal federal art programs administered by President Franklin D. Roosevelt to support artists during the Great Depression.

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